neal.

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This past Sunday I took the Hasselblad into the city to take some photographs of my friend Neal around the Lower East Side. I borrowed a pal’s extra A-12 film magazine, which meant that I could switch between color film (loaded in my camera) and black & white (loaded in the extra magazine) — fun times! Even more fun was shooting Neal, who was an incredibly good sport, hamming it up for the camera and dutifully following my instructions to “you know, just stand over there and don’t look at me.” It was just after two in the afternoon, and already the sun was so low in the sky — damn you, December! — but we got a couple of rolls in before heading to Schillers for an afternoon cup of coffee.
Below: Requisite GQ shot! Thanks, Neal.
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mike at night.

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Film stills from an Russian horror movie about disaffected exurban youths run amok? Or Mike in the Park Slope Key Foods parking lot after a couple rounds of frozen margaritas? You be the judge.
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gentlemen in laundromats.

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An ongoing series of sorts.
[Top: Mike. Above: Jeremy. Below: Michael + film negative mishandling moment]
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thanksgiving at the farm.

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About every three years or so, I head to my friend Matt’s parents’ place in central New Jersey for Thanksgiving. I head there at other times of the year as well, to lounge in their pool or to cozy up next to the fireplace with a wide glass of bourbon in hand, but Thanksgiving at the farm happens about every third year or so for me. And it’s always a treat — Matt’s mom puts together a great meal, and his dad teaches me on the finer points of the current NFL season. Matt’s own family has expanded to include a wee near-two-year-old, the lovely Lady B, who slept through the meal proper, but who had her own coma-inducing meal afterwards.
After the meal, I took a walk around the farm to snap some late afternoon photos with the Hasselblad. Everything was very, very still — not surprising, given how much space there was between homes in this rural part of the state, but perhaps moreso after all the post-meal sleepiness took over. It’s a quietness unbroken by very much at all, except maybe the very loud slap of the Hasselblad shutter.
Earlier in the day, as we were waiting for the incredibly large turkey to finish roasting, I took some photos of Matt and his wife Irene, using a special extension tube fitted onto the Hasselblad that enables the camera to take closeup shots (and without the $3k-5k price tag for a proper portrait lens). As always in these moments, the tables were turned and Irene got a shot in of me as well. Throw in photos of the turkey and of Lady B enjoying her meal, and I’d say the day was an all-around gastronomic and photographic success.
Minor successes, of course, compared to the opportunity to be around my east coast family, on a fairly temperate and sunny afternoon, eating and drinking up a storm.
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dashiell, recently.

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It is probably very, very unnatural, the depths of my love for my new Hasselblad.
Also, dear Lupe made a last-minute stealth visit to the city last weekend! It was good to catch up for a couple of hours in the fading Sunday light.
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bad seed.




Oh, film.
Sometimes you stare at a newly-processed roll of film and think to yourself, this is why people don’t bother with film anymore: it’s wildly unpredictable. This was one such roll. Between the Lomo and the fact that I was shooting with expired 400 speed film whose quality I hadn’t confirmed with a test roll on a more reliable camera, things were bound to go awry. But this messy? See the strange vertical light leaks? Unclear what happened, though judging from the general underexposure, despite this being 400 speed film and everything shot at f/2.8, I’m going to guess that it’s mostly a film issue, that the emulsion is really more like 100 or 200 speed at best. The Lomo, of course, is always a crapshoot, but until now it’s never been this wonky with the light leaks. What madness.
I’ll end, though, with a shot of dear Dashiell, patiently chilling out while Mark and I had our monthly brunch at Maialino.

nighttime with dashiell.

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Took the Hasselblad out for a spin the other night. Lesson learned: buy a tripod. There’s next to no way I can shoot at 1/15 sec shutter speed and not have the photos come out a blurry, noir-y mess.
Daytime, however, is another story. Dear Dashiell continues to delight during the daylight hours. Such a shame it gets dark by 4:45pm these days.
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inside out.

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The view from inside Char No.4 a few weekends back, when that nutty little snowstorm blew through town. An entirely different, much warmer view behind me:
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mike d is dead to me.

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Ok, not really. Not in the slightest. (And not that Mike D.) I love Mike D! But when dear Mike decides to lay down on the grass in Prospect Park after a grueling afternoon of modeling for the test rolls for the new Hasselblad, what else to do but snap away?
To be sure, it’s much too bright for the black and white 400-speed film I had loaded in Dashiell, and so the exposure is a bit off, as is the desired eeriness. But we hammed it up anyway — and when you’ve got a camera named in part after this guy, it only seemed right to inaugurate his tenure with a hard boiled crime scene of sorts.
At one point, though, I realized something was very much off: “Mike — I don’t think the dead die with their ankles crossed ever so elegantly.” Also, Mike swears that he isn’t smiling in these photos. “It’s my serious face! I swear!”
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housekeeping.

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So the blog looks a little wonky right now, though I can assure you that it’s moving slowly but surely towards greater loveliness. I just wanted to say, though, that I don’t like white space as much as my current banner heading suggests — don’t get me started on how much I dislike the new Google Reader (although you can read someone else’s rant here) — but we’re currently dealing with some CSS weirdness that might take a few more days to sort out.
[above: place cards at the awesome wedding Mike and I went to a few weekends ago.]
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